The gokui has been written and spoken of as an important aspect of martial arts, karate, from Okinawa and its origins are born from Chinese influences. The Chinese thoughts and writings are even more difficult so this will give a tiny bit of perspective as to the difficulties but alas the real point is how each individual will interpret the gokui as it applies to them.
This is similar to the karate koan or gokui I use in my philosophies of karate-do. It is that something one must contemplate and study as they progress. This part is important as well because how we perceive, believe and live changes from moment to moment. What you get from the gokui in those beginning years will be different from what you get in the middle years and then again different as you enter the winter years. It is just how it is. Take a look at the characters provided for the Isshinryu gokui as passed down from Tatsuo-san depending on who presented them to you.
人心同天地 [人の心と同じ天地] person heart same heaven earth (person; heart; equal; heavens; earth)
血脈似日月 [血パルス似た日光の月] blood pulse similar sun moon (blood; pulse; becoming; sun; moon)
法剛柔呑吐 [方法ハードソフトドリンク串] method hard soft drink spit (principle; strength; weakness; drink; spit)
?進退離逢 [重量前進後退外れるが従事] weight advance retreat disengage engage
身[随?]時?變 [身体追従時間が変更に適応] body follow time adapt changes
手?空則入 [手の時間空規則は入る] hard time empty rule enter
目要視四面 [目は4面を見る必要があります] eye must see four side (insight; essence; see; four; face)
耳能?八方 [耳の能力は、8つの方向を聞く] ear ability hear eight direction
In the above I provided as many of the characters as I could find from the six or seven translations. It is important to remember that the characters/ideograms may not exist as they may have changed or are actually characters/ideograms either used exclusively for the Okinawan dialect or originate from Chinese characters/ideograms.
Notice that I give the characters/ideograms I was to understand came from Tatsuo-san then in brackets I give a translation that actually comes from inputting the English words that follow the bracketed characters/ideograms. In parentheses I provide my translation work as to the characters/ideograms that start each line as given to me as I understand came from Tatsuo-san. There are noticeable differences.
One should note that there were about three characters I was unable to find using all the English translations you will see above and none of them actually match up with what follows:
A Person's heart is the same as heaven and earth.
The blood circulating is similar to the moon and sun.
The manner of drinking or spitting is either hard or soft.
A person's unbalance is the same as a weight.
The body should be able to change direction at any time.
The time to strike is when the opportunity presents itself.
The eyes must see all sides.
The ears must listen in all directions.
Translated to ideograms/characters, etc.
人の心は天と地と同じです。
循環血液は、月と太陽に似ています。
飲酒や唾の方法は、ハードまたはソフトのどちらかである。
人のアンバランスは、体重と同じです。
ボディはいつでも方向を変えることができるはずです。
機会がそれ自身を示すとき打つ時間です。
目はすべての側面を見なければならない。
耳はすべての方向に耳を傾ける必要があります。
It makes me wonder who translated the characters from Tatsuo-san into English. It may be that the person involved took liberties and that Tatsuo-san accepted them readily simply because he expected, as was his prerogative, all his students both Okinawan and American to continue their studies and learn more about the esoteric aspects per the gokui and other teachings.
I actually put down over eighty pages in a iBook or eBook for the gokui. Even then as I went through it and edited it over and over again I either came up with new idea's or I came up with changes necessary to convey meaning to the reader as to how I perceive and interpret the gokui in my practice of Isshinryu.
I am not doing this to dissuade or disparage other translations because those are also valid. This is why it seems difficult to the Westerner and Western mind. It is vastly different in the method of thinking that it takes considerable study and contemplation to come to any unique rendering. This may explain why there are so many versions from other systems/styles of karate, etc.
In the end it is best to accept them all and consider what applies meaning to you and your practice without adhering to any one way so that your way can achieve its uniqueness along with fluidity through out your live as a karate-ka.
Interesting stuff!
