"The Author, it must be remembered, writes from his own standpoint!"
My personal "Interpretive" Lens!

"One thing has always been true: That book ... or ... that person who can give me an idea or a new slant on an old idea is my friend." - Louis L'Amour


"Providing a first step on a path to self-reflection." - C. E. James

"Read not to contradict and confute; nor to believe and take for granted; nor to find talk and discourse; but to weigh and consider..." - Francis Bacon

"What is true today may be reevaluated as false not long after. Judgements are frequently based upon a set of "temporary" circumstances surrounding them. Conflicting ideologies can exist simultaneously. Antagonistic dualities are complementary aspects of a unified whole: are seen as mutually dependent mirror images of each other." - Nahum Stiskin

Warning, Caveat and Note: The postings on this blog are my interpretation of readings, studies and experiences therefore errors and omissions are mine and mine alone. The content surrounding the extracts of books, see bibliography on this blog site, are also mine and mine alone therefore errors and omissions are also mine and mine alone and therefore why I highly recommended one read, study, research and fact find the material for clarity. My effort here is self-clarity toward a fuller understanding of the subject matter. See the bibliography for information on the books.


Note: I will endevor to provide a bibliography and italicize any direct quotes from the materials I use for this blog. If there are mistakes, errors, and/or omissions, I take full responsibility for them as they are mine and mine alone. If you find any mistakes, errors, and/or omissions please comment and let me know along with the correct information and/or sources.

Kenpo Gokui

The lines of the ken-po goku-i are set from an atomistic aspect simply because it is the manner in which the brain learns. Its nature is completely holistic and like the I Ching must be in a form that promotes learning and understanding so a person can see, hear and grasp the nature of a holistic system. The gokui is a method to teach us how to be holistic. Its terseness is the best that can be done to convey its holistic meaning.

A person's heart is the same as Heaven and Earth while the blood circulating is similar to the Sun and Moon yet the manner of drinking and spitting is either soft or hard while a person's unbalance is the same as a weight and the body should be able to change direction at any time as the time to strike is when the opportunity presents itself and both the eyes must see all sides as the ears must listen in all directions while the mind must grasp all the tactile, olfactory and gustation data not seen on all sides and not heard in any direction


Master Zeng said, "Am I preaching what I have not practiced myself?"

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Gokui, Principles and the OODA

Blog Article/Post Caveat (Read First Please: Click the Link)

These three concepts of karate and martial arts regardless of the why of the discipline are all mutually beneficial not only in relation to one another but to the relationship and connectivity of their individual parts. Everything is about “one” and everything is about “Duality of Yin-Yang.” Even these three, when combined and connected holistically, are about the one and the duality of yin-yang. Yin-yang drives them all and they all are derived from the mutual benefit of each one, the yin to yang and yang to yin.

The OODA is thought of in a linear mechanical way, this has been discussed before, and many assume a one-dimensional understanding where one “Observes” then when necessary “Orients” on the observed thing or situation or phenomena. Then once we orient we then have to make some sort of decisions such as, “Shall I cross the street or shall I remain here?” When the decision is made then we act, we stay or cross. This is how I once thought the OODA worked and that processing the loop faster would give me the advantage but in truth it is a lot more complex than that linear mechanical one-dimensional definition. 

Principles are the same way, when we thing of yin-yang we assume it means hard-soft (as to karate and martial arts applications) and that goes for other aspects of principles. We tend to take them one at a time, learn about them then apply that linear one-dimensional understanding to our practice and training. It is only when we truly look at the sub-principle of yin-yang that we begin to understand that it and other principles don’t stand alone and are not learned or applied atomistically, separately, but as a whole one principled based application toward the discipline regardless of the why of our practice and training. There is, like the OODA to be further explained later, an ebb and flow and morphed mixing of the two to get a balanced one whole product or action.

We can say the same to the gokui, the ken-po goku-i, that is a terse Zen-koan like tome that is also thought of and understood from a single one-dimensional atomistic linear mechanical meaning. When they read about seeing all sides they assume that means the eyes through direct visual signals sent to the brain provide us something to observe and orient on that could be either good or bad further influencing the decision processes. Seldom does the person or system go past the linear single dimension concept toward a more robust one holistic wholehearted continued concept and meaning beyond that singular belief. It is one reason I re-wrote the gokui into a continuous single sentence that can be analyzed into distinct and separate concepts where the individual then synthesizes back into a more robust and complete, unique, understanding that teaches us more about ourselves and our study of karate and martial arts. 

In the OODA the OO, observe and orient, are independent and distinct concepts and processes yet to work both mutually support the other in order to achieve the results intended. Humans observe everything in their environment then compare that to the perceived understanding of that environment, outer world, into an inner world. What is assumed is that the individual observing actually knows and understands what it is they see, hear, touch and so on because of their perceive inner world. They fail to understand that to orient to the observed phenomena they must first know of it and understand it completely and utterly. You must orient on what that is, what it is you must know, what you need to know and what you need to know that you don’t know. 

Orient on that first, encode that to the perceived inner world of your mind and then use that to compare when you observe the outer world so that you can make a decision that you will act upon. Still a simplistic explanation but shows how we circle around the entire loop rather than one, the next, the next then the act or actions. Orient also effects our decision processes because to find an appropriate actions you need to decide on one and that comes from experiences as perceived by our observation of things and how we orient on those things making decisions along the way as to what is appropriate to what event and what is not. You have to observe that you need to know something, you have to orient on that, then you have to decide to study and understand what it is you need to know then you have to decide on how that gets encoded in procedural zombie sub-routine/functions memory and that also takes your orientation and decision so that when you act, in training and practice, you make the right decisions according to your observation and orientation during the training and practice processes, actions and decisions along with analysis and synthesis processing in an appropriate way as another decisive actions on your part. 

Using the OODA processes is how you first learn of the principles, then you analyze them as individual distinct things until you understand and begin to orient them with one another to make for one holistic whole that changes rapidly in the moment and situation so that you end up absorbing and encoding the entire principles so that progressive training will allow you to draw on them in the decision and action process of the loop.

Then there is the gokui, did you know that the gokui also makes references to the Chinese ancient classic, The Art of War of Sun Tzu? It is not just the first two lines that are more spiritual or mystical as to the sun and moon or the heave and earth, that also connect to the ancient book the I Ching, but to the way and means of battle in the art of war. It comes to mind once this is accepted that the simplicity of the gokui acts as a key to open the door to what you can achieve for yourself and in your use of the disciplines as related to the art of war. 

Balance and unbalance being like a weight is not just about physically unbalancing an adversary but also is derived from Sun Tzu’s teaching that a battle best won is the one not entered into, i.e., unbalance your adversary in mind and spirit and you can avoid doing battle, or fighting. 

Sun Tzu speaks to energy, the ordinary and extraordinary forces used in battle, speaking to how they “end and recommence; cyclical, as are the movements of the sun and moon. They dies away and are reborn; recurrent, as are the passing seasons. As the sun and moon cycle through the heavens that surround us cause the Earth and man to experience the passing of seasons and those seasons matter in the strategy of the art of war. 


The OODA, the Fundamental Principles and the Ken-po Goku-i are all like the teachings of Sun Tzu in his chapter on Energy, i.e., “The primary colors are only five in number but their combinations are so infinite that one cannot visualize them all.” His teachings are inter-connected and mutually beneficial and our other concepts of karate and martial arts also connect; if you open your mind, your body and your spirit to change, chaos, and an opening of the box you can see what cannot be seen, you can hear what cannot be heard and you can touch that which seems untouchable. 

These are the concepts of the Gokui, the Fundamental Principles and the OODA and yet, they are not the end all of what is out there. You just have to let them in. 

Bibliography (Click the link)




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