My personal "Interpretive" Lens!
"One thing has always been true: That book ... or ... that person who can give me an idea or a new slant on an old idea is my friend." - Louis L'Amour
"Read not to contradict and confute; nor to believe and take for granted; nor to find talk and discourse; but to weigh and consider..." - Francis Bacon
"What is true today may be reevaluated as false not long after. Judgements are frequently based upon a set of "temporary" circumstances surrounding them. Conflicting ideologies can exist simultaneously. Antagonistic dualities are complementary aspects of a unified whole: are seen as mutually dependent mirror images of each other." - Nahum Stiskin
Warning, Caveat and Note: The postings on this blog are my interpretation of readings, studies and experiences therefore errors and omissions are mine and mine alone. The content surrounding the extracts of books, see bibliography on this blog site, are also mine and mine alone therefore errors and omissions are also mine and mine alone and therefore why I highly recommended one read, study, research and fact find the material for clarity. My effort here is self-clarity toward a fuller understanding of the subject matter. See the bibliography for information on the books.
Note: I will endevor to provide a bibliography and italicize any direct quotes from the materials I use for this blog. If there are mistakes, errors, and/or omissions, I take full responsibility for them as they are mine and mine alone. If you find any mistakes, errors, and/or omissions please comment and let me know along with the correct information and/or sources.
A person's heart is the same as Heaven and Earth while the blood circulating is similar to the Sun and Moon yet the manner of drinking and spitting is either soft or hard while a person's unbalance is the same as a weight and the body should be able to change direction at any time as the time to strike is when the opportunity presents itself and both the eyes must see all sides as the ears must listen in all directions while the mind must grasp all the tactual data not seen on all sides and not heard in any direction.
A person’s heart is the same as Heaven and Earth while circulatory system is similar to the cycles of the moon and sun yet the breathing methods are either hard or soft while one’s posture should allow one to advance, retreat, engage, and disengage as the body should be able to act in accordance with time and change so that one must enter a state of emptiness (mushin/zanshin) allowing the eyes must see all sides and the ears should listen in all directions while the mind must grasp all the tactual data not seen on all sides and not heard in any direction. - My rendition per translation from Andy Sloane Sensei.
Seeing, Hearing, and Feeling
Iain Abernethy Sensei speaks about the use of two hands in kata bunkai. The use of the hands where while one strikes the other is feeling the body movement as well as deflecting, etc. to supplement the striking hand. Note: there is more to this. Recommend viewing his video's for more.
The ability to feel the movement of the threat gives you additional sensing information to properly act. It tells you they are moving, in what direction, and then by its message provides you the actions necessary to exploit that movement.
In addition a karate-ka must not rely only on seeing or hearing or feeling. It should be a combination of all of them. Sometimes hearing a noise, looking to identify and classify may not be enough. A lot of times when attacked from the rear or blind side all you get is the ability to feel an aggressive touch. Once you feel it you have to act, to move, and to apply actions that will keep you from damage.
Feeling may be implied in the ken-po goku-i. It is not directly referenced, obvious to the reader. You can get an inference to feeling if you know to recognize the ken-po goku-i though symbolism and the Isshinryu-no-Megami. The time to strike is symbolized by the open and closed hands of the goddess so you can kind of extrapolate that this includes feeling with the hands. Going outside the box would add that feeling the others hands, i.e. open being representative of non-aggressive touch vs. closed hand representative of an aggressive touch or strike or joint manipulation and so on.
You can also use symbolism of the darkness represented in the goddess to mean one must use touch and thus how that touch feels something with interpretation as to that objects intent be it aggressive or not. We must use our hands and touch and feeling through the touch sense to determine obstacles and threats in darkness of all kinds.
Symbolism and its teachings, something to consider.
Thanks to Iain Sensei for this lesson on two hands and feel/touch, etc. Sometimes the obvious remains hidden until someone turns on a light. Light on! I also must mention that Rory Miller expresses the importance of touch or feeling to fighting, etc. in his book Facing Violence. Mr. Miller also speaks of smell as well which is unusual - how many teaching SD speak of touch and smell?